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Catalogue of Keuffel & Esser Co.
 Catalogue of Keuffel & Esser Co.
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Monographs or surveys on the history of photography and notable photographers from the mid-19th Century to the present.

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Gassner, Hubertus (text);Aleksandr Rodcenko (photographs); Aleksandr Lavrentjev (foreword), Rodcenko Fotografien, Munich, Schirmer / Mosel, 1982, First German edition, 9.5" x 11", 4to, hardcover, white paper covered boards w/ black spine and cover titles in b/w photographic jacket (portrait of Rodcenko) and glassine over-jacket, Very Good +/ Very Good. Slight wear to top/bottom edges of boards and glassine; original glassine DJ yellowed on spine, a bit of loss at spine foot and has wrinkles to rear inside flap. Binding firm, interior clean, bright and unmarked.

151 pp. text, 114 text illustrations and 159 b/w gravure plates. German text. Bibliography. Foreword by Aleksandr Lavrentjev. German with captions in English, French, and German.

This monograph, from the art historian Hubertus Gassner, examines Rodchenko's constructivist photography, as the Russian avant-garde painter, sculptor, designer came to concentrate on photography after 1924. "During the early 1920s Rodchenko became increasingly aware of the possibilities of photography. Although he had employed found images in his photomontages, he began producing his own photographs only in 1924. Photography appealed to Rodchenko's Productivist aesthetic, particularly in its use of factory-made apparatus and the 'automatic' nature of image construction. Rodchenko brought to his photographs an awareness of plastic form and abstract composition, and they are noted for their use of oblique angles and emphasis on asymmetry, as in Girl with a Leica (1934; see Alexandre Rodtchenko, 1986, pl. 43), which reveals his confident organization of the image, in particular the use of the human figure as an integral part of the composition. Rodchenko's photographs were widely published, especially in the magazine SSSR na stroyke ('USSR in Construction'), although they were increasingly attacked during the 1930s as alienating. There are no photographs after 1941." --from John Milner, Grove Art Online.

(Our image is very large. Click once to open and then again to allow for best view and scrolling.)    [Book ID # 2136]


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